O autor mostra neste ensaio quais são suas afinidades com a obra de Gérard Lebrun - obra animada por uma interrogação propriamente filosófica sobre a "ilusão como destino do pensamento" - e quais os aspectos em que dela se distancia: o "ponto de controvérsia" pode ser percebido na leitura distinta que ambos fazem da filosofia de Wittgenstein de Merleau-Ponty.

Il s’agit de revenir maintenant sur la portée historico-politique de l’Analytique du sentiment esthétique sublime. L’enjeu n’est pas exclusivement exégétique, mais vise notamment à évaluer ce qu’il en est du « progrès vers le mieux » dans le temps présent. L’essence de l’affect esthétique sublime réside dans un retournement : la défaillance des formes sensibles de présentation, par leur défaut même, présente, négativement, une Idée de la raison (l’infini, la liberté), dont le sentiment est universellement partageable en principe. S’y révèle (...) ainsi « notre destination supra-sensible » : témoigner de l’inconditionné, cultiver la « susceptibilité » aux Idées. Et cela à l’occasion des séquences historico-politiques tout aussi bien, y compris les conjonctures les plus « désolantes ». La désolation elle-même, si elle relève de cette esthétique de la présentation négative de l’Idée, peut faire « signe d’histoire », c’est-à-dire : être un indice probant que les humains dans leur histoire progressent dans la capacité au mieux. Tel fut le cas de l’affect d’ enthousiasme qui gagna les peuples européens lors de la Révolution en 1789. Mais il peut en aller de même pour le chagrin, voire pour le désespoir (en tout cas le « désespoir révolté », die entrüstete Verzweiflung ). 2. Il reste que le retournement de la défaillance des formes en sentiment sublime ne va pas sans quelques difficultés intrinsèques, liées à sa différence d’avec le beau : cette défaillance annonce un certain retrait de l’Idée de sens communis (gage, pourtant, de l’universalité sans concept à laquelle prétend le sentiment esthétique) ; et sa conversion en affection sublime exige la médiation d’une culture rendant les esprits plus sensibles aux Idées. Ne faut-il pas en conclure que, avec ce retrait du sens communautaire et le déclin de la culture (à l’ère de l’industrie culturelle multi-médiatique), il ne peut pas y avoir d’affection sublime, partageable publiquement et faisant « signe d’histoire », attestant qu’il y a progrès? 3. Ce manque de signe esthétique, affectif, éclairerait comment une crise de l’histoire et du politique est-elle possible. Cette crise, n’est-elle pas ce qui s’installe désormais comme le trait constitutif fondamental de notre sort à présent? En proie aux menaces de catastrophe globale qui pèsent aujourd’hui sur la planète et sur l’humanité, ce qui nous reste encore de « résistance » n’est-il pas dû davantage à l’angoisse de la survie, plutôt que tiré par le sens d’une Idée incommensurable qui, témoignant de notre destination supra-sensible, attesterait toujours que nous sommes en progrès vers le mieux? (shrink)

Latin American religious political thought includes colonial Spanish and Portuguese ideologies that preceded independence but have survived into the post-independence era, authoritarian ideologies supportive of military governments in the twentieth century, and progressive liberation theologies. In this article, I present a distinct tradition: a version of classical liberal thought. This tradition is skeptical of big government, opposed to caste systems, supportive of a high degree of federalism, uneasy with militarism, and supportive of democratic institutions while affirming religious social norms. This (...) ideology was developed in northeastern Brazil in the early nineteenth century by a Carmelite activist named Frei Caneca (Brother Mug), who published a newspaper titled the Typhis Pernambucano (Tiphys of the State of Pernambuco). (shrink)

Michel Foucault had a great influence upon a wide range of disciplines, and his work has been widely interpreted and is frequently referred to, but it is often difficult for beginners to find their way into the complexities of his thought. This is especially true for readers whose background is Anglo-American or "analytic" philosophy. C. G. Prado argues in this updated introduction that the time is overdue for Anglo-American philosophers to avail themselves of what Foucault offers. In this clear (...) and greatly-revised second edition, Prado focuses on Foucault's "middle" or genealogical work, particularly Discipline and Punish and Volume One of The History of Sexuality, in which Foucault most clearly comes to grips with the historicization of truth and knowledge and the formation of subjectivity. Understanding Foucault's thought on these difficult subjects requires working through much complexity and ambiguity, and Prado's direct and accessible introduction is the ideal place to start. (shrink)

This book examines the reactions of the friends and family of those who elect to die due to terminal illness. These surviving spouses, partners, relatives and friends, in addition to coping with the death of a loved one, must also deal with the loved one's decision to die, thus severing the relationship. C. G. Prado examines how reactions to elective death are influenced by cultural influences and beliefs, particularly those related to life, death and the possibility of an afterlife. (...) Understanding the role of these cultural influences on the grieving processes of survivors is a crucial step in allowing them to accept both intellectually and emotionally the finality of elective death and to deal with the decision of their loved one. (shrink)

Contemporary theories of consciousness are based on widely different concepts of its nature, most or all of which probably embody aspects of the truth about it. Starting with a concept of consciousness indicated by the phrase “the feeling of what happens” (the title of a book by Antonio Damásio), we attempt to build a framework capable of supporting and resolving divergent views. We picture consciousness in terms of Reality experiencing itself from the perspective of cognitive agents. Each conscious experience is (...) regarded as composed of momentary feeling events that are combined by recognition and evaluation into extended conscious episodes that bind cognitive contents with a wide range of apparent durations (0.1 secs to 2 or more secs, for us humans, depending on circumstances and context). Three necessary conditions for the existence of consciousness are identified: a) a ground of Reality, envisaged as an universal field of potentiality encompassing all possible manifestations, whether material or 'mental'; b) a transitional zone, leading to; c) a manifest world with its fundamental divisions into material, 'informational' and quale-endowed aspects. We explore ideas about the nature of these necessary conditions, how they may relate to one another and whether our suggestions have empirical implications. (shrink)

Concern with elective-death decisions usually focuses on individuals' competence and understanding of their situations and prospects. If problematic influences on individuals are considered, they almost invariably have to do with matters such as depression and the effects of medication. Too little attention is paid to how individuals, as subjects, are products of both external cultural and social influences on them, and of internal efforts and needs that determine their subjectivity.

O artigo compara alguns aspectos da refutação do ceticismo nos Princípios e nos Três diálogos. Embora normalmente não se veja nenhuma diferença importante entre essas obras, duas hipóteses são defendidas aqui: de um lado, Berkeley desloca o foco de sua crítica das idéias abstratas para a noção de matéria e, de outro, muda sua estratégia de combate, da enunciação imediata da verdade para a lenta elaboração das consequências céticas da noção de matéria. Berkeley’s answers to skepticismThe topic of this paper (...) is a comparison between Berkeley´s refutation of skepticism in the Principles and in the Three Dialogues. It is usually held that there is no philosophical difference between these two works. However, I suggest that not only Berkeley´s diagnosis of the causes of skepticism changes from his criticism of abstract ideas to the notion of matter, but also that he changes his strategy of refutation: from a direct statement of the truth of immaterialism to an examination of the consequences of the notion of matter. (shrink)

I explain why, from the perspective of knowledge-centric anti-luck epistemology, objective act consequentialist theories of ethics imply skepticism about the moral status of our prospective actions and also tend to be self-defeating, undermining the justification of consequentialist theories themselves. For according to knowledge-centric anti-luck epistemology there are modal anti-luck demands on both knowledge and justification, and it turns out that our beliefs about the moral status of our prospective actions are almost never able to satisfy these demands if objective act (...) consequentialism is true. This kind of applied moral skepticism introduces problematic limits on our ability to use objective act consequentialism’s explanatory power as evidence for its truth. This is, in part, a product of higher-order defeat as I explain in the final section. There is, however, a silver lining for objective act consequentialists. For there is at least one type of objective act consequentialism, prior existence consequentialism, that is poised to avoid at least some of the epistemic problems discussed in this paper. (shrink)

A moral doctrine on war, which establishes the moral conditions of making war, is something quite different from a moral doctrine on the international use of force, which condemns war as an inmoral action in itself. If our options are for the latter, we should be provided with a more efficient and equitable way to solve international conflicts than war, because the moral condemnation of war undermines the grounds on which the moral and legal doctrine on war has been traditionally (...) based. (shrink)

Resumo: O presente artigo discute a questão do percurso plástico do pintor Paul Cézanne e a influência direta vivida por Merleau-Ponty nas fases da fenomenologia e da ontologia selvagem. Para tanto, o referido percurso é sustentado pelo tema da organização estruturante das obras de arte que “lançam” os sujeitos da percepção ao mundo vivido. Na fase fenomenológica mostramos o problema da percepção das imagens a partir das criações romântica e impressionista de Cézanne, pintor moderno, que critica a produção clássica pelo (...) poder de representação da natureza em suas formas “nítidas” e delimitadas, por exemplo, pelas linhas e pelos desenhos, estabelecendo-se, a partir dessa questão, a ultrapassagem do mundo determinado. Em seguida, pretendemos mostrar como a pintura do último Cézanne encontra-se aberta, enquanto pintura “selvagem”, ao sujeito e ao mundo, na condição de envolvimento carnal. Desse modo, passamos a compreender questões fundamentais como: o olhar e a experiência perceptiva; o processo de criação pictórica; a constância e os instantes do mundo; a profundidade, a visão radical e a ontologia selvagem. (shrink)

Silencing is a speech-related harm. We here focus on one particular account of silencing offered by Jennifer Hornsby and Rae Langton. According to this account, silencing is systematically generated, illocutionary-communicative failure. We here raise an apparent challenge to that account. In particular, we offer an example—the drowning case—that meets these conditions of silencing but does not intuitively seem to be an instance of it. First, we explore several conditions one might add to the Hornsby-Langton account, but we argue that none (...) are satisfactory. Then, we further explore the systematicity condition, which is insufficiently characterized in the current literature. Although we explore several promising ways to further characterize this condition, we ultimately conclude that more work needs to be done. Consequently, because this systematicity condition is under-specified, the Hornsby-Langton account of silencing is incomplete. (shrink)

El presente trabajo argumenta la semejanza del papel dialógico entre Platón y Hans-Georg Gadamer como punto fundante de la actividad del filósofo y como punto de desencuentro entre la dialéctica y la retórica antigua, y entre la dialéctica y la hermenéutica contemporánea. Al contrario, se analiza su diferencia para exponer el papel anticrítico de la dialéctica que caracteriza la obra de Verdad y Método y reafirma la función enunciativa de la texné en relación con la situación dialogal entre el lector (...) y un texto. (shrink)